Saturday, June 20, 2009

AN EVENING AT S F SYMPHONY

We attended our last San Francisco Symphony performance for this season...Berg's Concerto for Violin and Orchestra and Schubert's Mass No. 6 in E-Flat Major, D.950. Gil Shaham was the guest violin soloist. MTT was conducting.

We started the evening with dinner at Hayes Street Grill.



We've been dining regularly at Hayes Street Grill since it opened in San Francisco 30 years ago. We've never been disappointed and whenever I am asked for a recommendation for a fish restaurant in San Francisco, I always recommend Hayes Street.

Through the years, they've kept the formula simple: several fresh grilled fish every day, served with a side of French Fries and your choice from about half a dozen sauces. Their menu also includes several other fish dishes, a nice selection of first courses, and desserts. It is at Hayes Street that I first tasted Crème Brûlée and it remains on the dessert menu to this day...try as I might, I cannot duplicate this dessert at home, but am happy to enjoy it at the restaurant.

So, we started with a shared Grilled Squid and Artichoke Salad.



Jim order Petrale Sole



and I chose Cataplana, a Portuguese Seafood Stew.



Both dishes were perfection. Even though J is watching his sugar consumption, he could not keep his eyes off the huge Hot Fudge Sundaes that kept passing by our table...while I prefer the Crème Brûlée for dessert, their sundae, made with housemade hot fudge is his weakness. He mentioned to our waiter how much he wishes he could have a sundae and the waiter took pity on him and made up a mini version for him.



Is this a happy man, or what?



Then, it was on to Davies Symphony Hall. The lobby was busy with music lovers enjoying drinks, light meals, and conversation.



At intermission, it was still light outside and I noticed how pretty City Hall across the street looked through the lobby windows.




As for the concert, I knew we were going to be musically challenged when MTT started the evening by talking about the Berg piece and its 12-tone scale. He played several examples and it all made sense, but once the piece started, I could not detect what he has described. The Schubert was more comprehensible and magnificent.

No comments: